tag:blogger.com,1999:blog-2772908576953907797.post5230617830574650160..comments2023-12-29T13:41:38.115-08:00Comments on The Teh-drinking Musicologist: No Futurism – Medieval musicology for monstrous childrenHT, with T for Tehhttp://www.blogger.com/profile/16090839814492865772noreply@blogger.comBlogger2125tag:blogger.com,1999:blog-2772908576953907797.post-2987000653956873142009-12-12T18:52:44.028-08:002009-12-12T18:52:44.028-08:00Thanks Mike, I thoroughly enjoyed your posts on in...Thanks Mike, I thoroughly enjoyed your posts on inthemedievalmiddle; but am currently rethinking spectral theory through oppositional thinkers such as Runia vs. Keinberg. As a musicologist, the issue of presence and absence is rather central to a discipline caught between an immaterial object (sonorous music) always already lost. Medieval music constantly haunts this vortex, this soundless void, generating some real anxieties over authenticity and the epistemological project of aural archaeology.HT, with T for Tehhttps://www.blogger.com/profile/16090839814492865772noreply@blogger.comtag:blogger.com,1999:blog-2772908576953907797.post-50285680161770768972009-12-04T14:18:49.249-08:002009-12-04T14:18:49.249-08:00Wonderful post! And the spectre of Hayden White is...Wonderful post! And the spectre of Hayden White is well spotted. A big influence on that posting was Sande Cohen's History out of Joint which was heavily influenced itself by his mentor White. <br /><br />MORAnonymousnoreply@blogger.com