Wednesday, April 14, 2010

BACK IN THE WORLD OF THE LIVING! (And anticipating MedRen 2010)

Dearest (fellow) Bloggo-musico-logists of the new world order,

I am pleased to announce that, countless sleepless nights, hundreds of edits and one soused episode of champagne overdose later, my Honors thesis is finally done, uploaded, and I'm back amongst the living. (And, saying that, I'm typing this from a tiny carrel). The lack of sunlight on skin has taken its toll, and I seem to gleam under the moon as well. But for anyone who's curious, I rolled out a thesis investigating musical ontologies of "beastliness" in our favorite fourteenth century source. Everyone repeat after me: Le Roman de Fauvel.



Curious? For all those with spare time (don't laugh...) you can access the FULL unrestricted thesis here:

HANSEL'S THESIS

... and get ready for some Horsey Musicology!

HELLO EVERYONE, it's nice to be back outside!

That said, this year's medieval and renaissance conference looks totally baller. Here are some of my favorite picks from the lineup:

Yossi Maurey: Singing the Praises of
God without Words: The Meaning of
Neumas in Medieval Liturgy

Andrew Hicks: Re-interpreting an
Arithmetical Error in Boethius’s De
institutione music (iii.14-16)

Ali Pemble: Timaeus and the Trumpet:
The Harmonizing Logos in Medieval Art

Timothy Chenette: The Role of Complex
Notation in Complex Rhythm of the Late
14th Century (YES!)

Jeffrey Levenberg: Ouds or Lutes?
“Fumeux Fume’s” Ficta Speculacion
(Finally, another voice about Fumeux Fume that isn't Lefferts)

Richard Parncutt: Historical origins of
major-minor tonality: A psychological
approach (Seriously? Rick Cohn better watch his back!)

Gábor Kiss: Spontaneity or
consciousness? Late-medieval
approaches to the differences of the
liturgical repertories (can't even begin to wonder)

Stefano Mengozzi: Facets of Musical
Renovatio in the Early 15th Century (Everyone should go buy his book when it officially hits the shelves)

Catherine Bradley: Clausula or Motet: Which
Came First? (We're still arguing about it, folks!)

Anna Zayaruznaya: The Composite Tenor of
Vitry’s Cum statua/Hugo (This should be magnificently interesting! Vitry's motet talks about lying and interior deception, using the metaphor of Nebuchadnezzar's statue. She's gonna talk about a hybrid tenor, and I'm hoping she'll court with notions of Alchemy...)

Rachel Lumsden: Mode, Gender, and Aribo’s De Musica (Everyone remember the 12th Century Aribo's very strange articulation of modes as woman's body? I wanted to talk about it in my thesis; never got round to it)

AND FINALLY,

This one's for Phil who lamented some blogposts ago that there really isn't much on musicology and Derrida. I'm happy to say that (1) I've used Derrida's "Hauntology" in my thesis at least once, and MedRen has this in store...

Kate Maxwell: Boethius, Guido, ...
Derrida? ‘Grammatology’ as a means of
understanding early music notation


Curious? So am I. I think I know where she's going with this one, but let's see if it's true.

Signing off,

HT. Going to get coffee now.

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